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What factor does kermode single out in order to explain the extraordinary range and flexibility of language Macbeth?

While the prompt seems to refer to a specific analysis of *Macbeth*, there isn't a widely known literary critic named "Kermode" who has written specifically on the range and flexibility of the play's language.

However, there are several factors critics have highlighted to explain the unique linguistic features of *Macbeth*:

* The play's use of imagery: From the bloody imagery associated with violence and guilt to the natural imagery depicting the cyclical nature of life and death, *Macbeth* uses a rich tapestry of images to express complex emotions and ideas.

* The play's use of language to create a sense of unease and ambiguity: Macbeth's language is often riddled with double meanings, puns, and foreshadowing, creating a sense of uncertainty and foreboding that reflects the play's themes of fate, ambition, and the supernatural.

* The play's use of poetic language and verse: *Macbeth* is written primarily in blank verse, which allows for a more elevated and formal tone, but also incorporates other poetic devices such as similes, metaphors, and personification. This adds depth and complexity to the language and enhances its evocative power.

To determine the specific "factor" you're looking for, you need to provide more context. For instance:

* Who is the critic you're referring to? Is it a specific scholar or a general concept?

* What specific aspects of the play's language are you interested in? Range, flexibility, poetic features, ambiguity, etc.

With more information, I can help you understand the specific factor highlighted in the analysis you're looking for.

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