* The author dictates the plot, characters, setting, and themes. They have a clear idea of what they want to convey and shape the story accordingly.
* The author's voice is strong and evident. The story is told through their perspective, with their style and choices shaping the reader's experience.
* The author's intention is central to the work. The story is crafted to deliver a specific message, evoke particular emotions, or explore certain ideas.
Examples of author-driven works:
* Classic literature: Works by authors like Jane Austen, Charles Dickens, and Leo Tolstoy, where the author's vision and craftsmanship are evident in every detail.
* Modern novels with strong narratives: Books by authors like Stephen King, Margaret Atwood, and Haruki Murakami, known for their distinct styles and impactful stories.
* Screenplays with a clear directorial vision: Films by directors like Christopher Nolan, Quentin Tarantino, and Alfred Hitchcock, where the director's artistic choices are central to the final product.
Contrasting with "Reader-driven":
In contrast to "author-driven," "reader-driven" works focus more on engaging the audience and allowing them to contribute to the experience. This can involve:
* Interactive elements: Choice-driven narratives in video games or interactive fiction where the reader's decisions shape the story.
* Open-ended narratives: Stories with multiple interpretations and ambiguous endings, allowing readers to draw their own conclusions.
* Collaborative storytelling: Works like fan fiction or collaborative writing projects where multiple voices contribute to the story.
While "author-driven" emphasizes the author's control, it doesn't mean the story is necessarily complex or challenging. A simple, entertaining story can still be author-driven if the author's voice and vision are clear. Ultimately, the distinction between "author-driven" and "reader-driven" is a matter of emphasis, not a rigid binary.