1. The Train: The train journey acts as a microcosm for life itself, with its constant movement representing the passage of time and the shifting dynamics between the characters. The train's compartment, a confined space, further emphasizes the feeling of entrapment and the limitations imposed by societal expectations.
2. The Landscape: The passing scenery, described as a "dull brown" with "fallow fields" and "bare trees," reflects the emotional state of the characters, particularly Mrs. Parker, who feels trapped and disillusioned with her life. The landscape mirrors the monotony and lack of fulfillment she experiences.
3. The Tea: The ritual of tea drinking represents the societal norms and expectations that bind Mrs. Parker. The act of preparing and serving tea becomes a way to maintain appearances and fulfill her role as a wife and mother, despite her inner turmoil.
4. The "Revelation": The revelation itself, experienced by Mrs. Parker, is symbolized by the image of the "ugly, mean, horrible thing" that appears in the pond. This symbolizes the harsh realities of life, the ugliness that lies beneath the surface of societal expectations, and the recognition of her own flaws and shortcomings.
5. The Bird: The bird, a recurring motif, represents freedom and the possibility of escape from the constraints of societal expectations. The bird's flight represents the desire to break free from the limitations imposed by her circumstances and to find a sense of purpose and fulfillment.
6. The "Pretty, Little, Pink" Things: The "pretty, little, pink" things, like the "pink and white kid gloves" and the "pink china cups," symbolize the superficiality and shallowness of the upper class. They represent the emphasis on appearances and the way in which societal expectations can be used to mask the underlying reality.
7. The "Good" and "Bad" Women: The story presents a stark contrast between the "good" women like Mrs. Parker and the "bad" women like Miss Brill. This binary distinction reinforces the societal expectations and judgments placed on women based on their perceived roles and behaviors.
8. The "Big, Fat Woman" and the "Little, Thin Woman": These characters symbolize the contrasting power dynamics within the upper class, where physical appearance and social status play a significant role in determining one's place in society. The "big, fat woman" represents the established power structure, while the "little, thin woman" embodies a sense of vulnerability and insecurity.
9. The "Ugly, Mean, Horrible Thing" in the Pond: This represents the harsh reality of life and the recognition of one's own flaws and shortcomings. It symbolizes the dark side of human nature and the pain and suffering that can be hidden beneath a veneer of social acceptance.
The symbols in "Revelation" are woven into the fabric of the story, adding depth and complexity to the characters and their experiences. Through these symbols, Mansfield explores the challenges of finding meaning and purpose in a world where social expectations and class divisions can be suffocating.