1. Parallel structure: Wiesel uses parallel structure to create a sense of rhythm and to emphasize certain ideas. For example, in the following sentence, the parallel structure of the phrases "at Auschwitz, Birkenau, Buna" and "in the midst of mud and snow" emphasizes the harsh conditions that the prisoners endured:
> "All during that time, at Auschwitz, Birkenau, Buna, in the midst of mud and snow, we sang this stubborn song, this melody that came from the depths of our souls."
2. Repetition: Wiesel also uses repetition to emphasize important ideas and to create a sense of urgency. For example, in the following passage, the repetition of the word "never" emphasizes the profound impact that the Holocaust had on the prisoners:
> "Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those flames that consumed my faith forever. Never shall I forget that nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God himself. Never."
3. Metaphors and similes: Wiesel uses metaphors and similes to create vivid imagery and to convey complex emotions. For example, in the following passage, Wiesel compares the prisoners to "puppets" and "marionettes" to emphasize their lack of control over their own lives:
> "The world was no longer divided into camps and nations; those of our time were divided into two categories, the masters and the slaves, the executioners and the victims, those who were free and those who would soon cease to be so. We were like sleepwalkers, moving instinctively from place to place, marionettes in the hands of a merciless God. We were puppets controlled by invisible strings."
4. Fragmentary sentences: Wiesel often uses fragmentary sentences to create a sense of urgency and to reflect the chaotic nature of the Holocaust. For example, in the following passage, the fragmentary sentences convey the prisoners' sense of disorientation and despair:
> "Where was God? Where was He?...He was not here, or He had hidden his face from us; or perhaps He had turned away from us, from all of us, without distinction."
5. Ellipses: Wiesel also uses ellipses to create a sense of mystery and to suggest that there are some things that cannot be expressed in words. For example, in the following passage, the ellipses suggest that the prisoners are unable to fully comprehend the horrors that they have witnessed:
> "The train moved faster and faster. Through the window I saw flashes of gray country. The woods had disappeared. It was night now. The sky, heavy and black, hung low above the earth, and the earth seemed empty....There was nothing but the night."
These are just a few examples of the many ways in which Wiesel uses syntax to create a powerful and moving narrative in Night.