Elements often associated with poetry, but not always avoided in prose:
* Meter and rhyme: While these are common in poetry, they can feel jarring and unnatural in prose. Some authors might use them for specific passages or character voices to create a distinct effect.
* Highly figurative language: Prose can employ metaphors, similes, and other figurative language, but overuse can become overly poetic and lose its grounding in reality.
* Stanza breaks and line breaks: These are primarily poetic features that can disrupt the flow of prose.
Other considerations:
* Conciseness: Prose often values clarity and directness, meaning it tends to avoid overly ornate or dense language. This doesn't mean it can't be beautiful or evocative, but it aims for effectiveness.
* Focus on narrative: Prose primarily tells a story, focusing on plot, character development, and setting. It may delve into internal thoughts and emotions, but these are usually tied to the narrative.
It's important to note that these are general guidelines, not hard rules. Many authors bend and break these conventions to achieve specific effects.
Here are some examples:
* Ernest Hemingway famously employed minimalist prose, using simple language and avoiding excessive imagery.
* Toni Morrison uses rich language and evocative imagery, blending poetic elements seamlessly into her prose.
* Cormac McCarthy uses lyrical and poetic language, but in a sparse and minimalist style, blurring the lines between poetry and prose.
Ultimately, the best prose writers understand how to use language effectively to create a desired impact, whether that's through concise clarity, evocative imagery, or a blend of both. They can experiment with poetic elements when appropriate, but always with the goal of enhancing the story they want to tell.