What are the poetic devices in mending wall by Robert Frost?

"Mending Wall" by Robert Frost is rich in poetic devices that enhance its meaning and create a vivid sensory experience for the reader. Here are some of the key poetic devices used in the poem:

1. Alliteration: The repetition of consonant sounds at the beginning of words or stressed syllables.

Example: "Whose woods these are I think I know."

2. Assonance: The repetition of vowel sounds in nearby words.

Example: "Something there is that doesn't love a wall."

3. Personification: Giving human qualities to inanimate objects or abstract ideas.

Example: "The frozen-ground-swell under it

Cries out to no one."

4. Imagery: The use of vivid and sensory language to create mental pictures in the reader's mind.

Example: "Sometimes I think the wall that I have built

Years after year is only there to keep

Me from something else than what it is."

5. Symbolism: Using objects, actions, or ideas to represent something else, often abstract or intangible.

Example: The wall can be seen as a metaphor for social, political, or personal barriers.

6. Enjambment: The running over of a sentence from one line to the next without a pause or punctuation.

Example: "We wear our fingers rough with handling them.

Oh, just another kind of outdoor game,

One on a side. It comes to little more."

7. Parallelism: The repetition of similar grammatical structures or syntactic patterns.

Example: "Before I built a wall I'd ask to know

What I was walling in or walling out."

8. Caesura: A pause or break in a line of poetry, often indicated by punctuation such as a comma or dash.

Example: "He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, "Good fences make good neighbors."

These poetic devices come together to create a complex and multi-layered poem that explores themes of boundaries, communication, and the nature of human relationships.

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