The first section is dedicated to the melodious street cries of vendors with their colorful umbrellas, selling fruits and vegetables. "Red bananas ripened by the sun," "Mangoes, mangoes, golden in the dusk," and "Brinjals, purple as the twilight sky" are just a few examples of the visually appealing imagery Naidu employs.
Next, the focus shifts to other street vendors, each trying to outdo the other with their unique selling propositions. The fishmonger shouts his wares, while the bangle seller enchants with his dazzling array of items. The "oilman with his clanking ladle," the "potter with his eathen wares," and the "milkman with his clinking pail" are all brought to life with their rhythmic cries and lively movements.
The poem concludes with the imagery of a tired worker returning home, greeted by the scent of incense and his loved one's voice. This moment of peace and warmth contrasts with the vibrant marketplace, highlighting the dualities of daily life.
"Street Cries" exemplifies Sarojini Naidu's skill in capturing sensory experiences through vivid language. The poem remains a captivating portrayal of Indian life and culture during the early 20th century, reflecting the poet's deep love and appreciation for her country's heritage and traditions.