1. Helmet (Mambrino's helmet): In the original chivalric romances, knights often possessed enchanted or magical items. In Don Quixote, Cervantes pokes fun at this trope by presenting Don Quixote's helmet as nothing more than a simple barber's basin that he mistakes for the legendary Mambrino's helmet. This contrast between the grand imagery of chivalric literature and the mundane reality of a barber's basin creates a humorous effect.
2. Horse (Rocinante): Similarly, in traditional chivalric tales, knights rode majestic and powerful steeds. However, in Don Quixote, the protagonist's horse, Rocinante, is depicted as a skinny and weak animal, far from the noble steeds portrayed in conventional chivalric literature. This disparity between expectation and reality adds a humorous touch to the narrative.
3. Mistress (Dulcinea del Toboso): The idealization of women as unattainable and perfect ladies was common in chivalric romances. Cervantes parodies this idea by portraying Dulcinea del Toboso, Don Quixote's beloved, as an ordinary peasant woman named Aldonza Lorenzo. By presenting a simple village woman as the object of Don Quixote's idealized affections, Cervantes satirizes the exaggerated and unrealistic portrayals of women in conventional chivalric literature.
Overall, these elements function as parodies by subverting the expectations associated with chivalric romances and introducing humorous and exaggerated versions of these conventions. By doing so, Cervantes playfully satirizes the genre and pokes fun at its unrealistic and overly romanticized depictions of騎士, horses, and the role of women in these fictional worlds.