However, you can find subtle instances of personification where inanimate objects or abstract concepts are given human-like qualities:
* "The train seemed to be gliding through a nightmare." (Chapter 2): Here, the train, a physical object, is described as "gliding" through a "nightmare," giving it a sense of agency and purpose. This emphasizes the unsettling and surreal nature of the journey.
* "The wind was like a blade, cutting through our flesh." (Chapter 4): Wind, an element of nature, is compared to a "blade," emphasizing its harshness and ability to cause pain. This highlights the harsh conditions and the vulnerability of the prisoners.
* "The silence was heavy, suffocating." (Chapter 6): Silence, an absence of sound, is described as "heavy" and "suffocating," giving it a physical presence and weight. This emphasizes the psychological burden and the oppressive atmosphere of the camps.
* "The night was full of whispers." (Chapter 7): The night, a time of darkness, is personified as having "whispers," symbolizing the fear and uncertainty that permeates the environment.
These examples demonstrate how Wiesel subtly imbues certain elements with human-like characteristics, enhancing the emotional impact of the narrative and reflecting the psychological impact of the events.
It's important to remember that "Night" is a story told through the eyes of a survivor, and the focus is on the raw truth of his experiences, rather than on literary devices. However, even these subtle instances of personification reveal the depth of Wiesel's writing and his ability to convey profound emotions through simple yet powerful language.