During the multi-draft reading process, a playwright will typically have several "readings" of their play with actors, directors, and other theatre professionals. These readings are crucial for:
Second Reading:
* Character Development: The focus shifts from the plot to the characters. The readers are looking for:
* Stronger Characterization: How well are the characters defined, motivated, and believable?
* Dialogue that Reveals Character: Does the dialogue advance the plot but also reveal each character's personality, desires, and relationships?
* Clear Character Arcs: How do the characters change throughout the play?
* Scene Structure and Pacing: The second reading might be staged, allowing the playwright to see how the play flows and whether scenes are engaging, too long, or too short.
* Themes and Ideas: The second reading allows for a deeper understanding of the play's themes. The readers look for:
* Clarity of Theme: Is the play's message clear and effectively communicated?
* Thematic Coherence: Do all elements of the play support the main theme(s)?
* Technical Elements: The playwright might start exploring technical elements like:
* Set Design: How will the play be staged? Are there any specific scenic needs?
* Lighting: How will lighting be used to enhance the story and characters?
* Sound: Will sound be used to create atmosphere, emphasize certain moments, or add to the overall experience?
Important Note: While there's no strict definition of "second drama" in this context, the playwright might focus on specific aspects of the play depending on the stage of the multi-draft reading process.
Let me know if you have any other questions about playwriting or the multi-draft reading process!