This subversion manifests in several ways:
* Deconstruction of the heroic archetype: Neil Flambé is far from a traditional hero. He's a cynical, flawed, and often cowardly individual whose "heroism" is accidental and ironic. This contrasts sharply with typical adventure protagonists.
* Blending genres: Moorcock masterfully blends elements of fantasy, science fiction, horror, and humor. The fantastical elements are often juxtaposed with mundane or even darkly comedic situations, resulting in a unique and unpredictable narrative.
* Critique of power and authority: Both stories subtly critique the abuses of power, whether it's the arbitrary authority of magical beings or the exploitative nature of colonial empires (as hinted at in *Aztec Abduction*).
* Exploration of identity and self-discovery: Neil Flambé's journey is one of self-discovery, as he grapples with his own inadequacy and the chaotic world around him. This exploration of identity is a common thread in Moorcock's work.
In short, while the specific adventures differ, the central theme revolves around a playful and often cynical deconstruction of fantasy tropes through the lens of a deeply flawed, yet ultimately engaging, protagonist.