Performance Art:
* "General Trading" (1969-1972): This performance piece involved Lozano offering her services for a set period, engaging in any activity the public requested, for a price. It explored the complexities of the art market and challenged the traditional definition of art.
* "Statement Piece" (1972): A performance in which Lozano announced she would stop making art. This act, often seen as a critique of the art world's expectations and her own artistic practice, became a pivotal moment in her career.
Conceptual Art:
* "Statement Series" (1968-1972): Lozano created a series of statements about her artistic practice and her relationship to the art world. These statements challenged conventional notions of artmaking and explored themes of self-censorship, gender, and societal expectations.
* "Bio-Rhythm" (1970): A work consisting of charts and diagrams that visually represented Lozano's daily biological rhythms. It explored the relationship between the body and the environment.
Writing:
* "Lee Lozano: Writings and Interviews" (2008): This collection of essays, interviews, and other writings sheds light on Lozano's conceptual approach to artmaking and her feminist perspectives.
* "Lee Lozano: The Art of Disappearance" (2012): A book that features a wide selection of Lozano's work, including her "Statement Series" and performances.
Other Work:
* "Drawings" (1960s-1970s): Lozano created numerous drawings, often minimalist and geometric in nature, that explored the nature of line and form.
Lee Lozano's work is known for its critical and often provocative engagement with the art world and its structures. She challenged traditional artistic practices and explored themes of self-expression, representation, and gender.